Musicians – Keyboards
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Edwin Genavus Hamiliton
Edwin was born into a musical family. He inherited a natural vocal gift from his mother, and his keyboard and percussion skills from his father. He began playing piano at age 5, and soon after learned the drums (Edwin did not ever own a drum set until age 19… he practiced his craft at church, at school and at home — on pillows!). He listened to all styles and genres of music with his parents, listening and playing behind the radio and the many different records his father and mother had at home. One day he stumbled upon Jazz and fell in love “at first sound.”
Edwin has become one of the most sought after drummer/percussionists in the Southeast and across the USA. He is currently the drummer for the Mike Frost Band and the Rob Foster Jazz Quartet. At his young age he has already performed, recorded and/or worked with notable names such as: Teddy Adams, Explorer’s Club, Chris Crenshaw, Michael Dease, Calvin Edwards, Delbert Felix, Mike Frost, Aaron Goldberg, Wycliffe Gordon, Niki Haris, Enrique Hernandez, Charmaine Neville, Delfeayo Marsalis, Wynton Marsalis, Shannon Powell, Marcus Printup, Vinny Raniola, Herlin Riley, Christian Sands, Tye Tribbet, Frank Vignola, Christian Winther and many more. Edwin has also played on big stages/arenas in front of crowds of over 10,000 and has toured the United States, extensively.
Edwin serves as the Minister of Music at Olive Branch Baptist Church in Batesburg-Leesville South Carolina. Edwin endorses four companies: Arti Dixon Bass Drum Lift, Beato Inc. (drum bags), Kopf Percussion (cajons) and Stellar Custom Drums (wood hoops). In 2014 he earned a Jazz Fellowship to go study in New Orleans, Louisiana under the great Herlin Riley.
Please click here for further information about Edwin.
Bill Karp performs a modern interpretation of timeless American jazz. Voted "Best of Augusta" by readers of Augusta Magazine and a "Choice Award" Nominee, his jazz has a broad spectrum of sound. It can be soft and in-the-background (Bill calls this "jazak") and be used for corporate or private parties, receptions, weddings, art exhibit openings, wine tastings and a variety of settings. His jazz can also be more "in front" and used for larger, higher energy events. In addition, he can perform 30 – 120 minute American jazz concerts as stand-alone events or as a featured part of your celebration. He performs in homes, gardens, restaurants and event spaces like exhibit halls, museums, art galleries, catering halls, and concert venus. He is known for his emotional, yet intelligent, interpretation of all that great American jazz you love. You can get a better idea of what he does by visiting his website.
He has been performing jazz his entire life and is a seasoned musician and performer. He has different formats for presenting his formal or casual programs, either with an orchestra, a smaller combo, or with backing tracks, which is the most cost effective. His fees are reasonable and negotiable. He performs in and around Augusta, Aiken, Savannah, Lake Oconee, Hilton Head, Atlanta, Columbia, Macon, Charlotte and points in-between. Send him an email or phone (762) 233-7205 if you have specific inquiries.
Chis is the son of a prevalent Augusta Georgia musical family. He has performed nationally and internationally as a touring musician (including several cruise lines) with such stars a Red Skelton and David ‘Fathead’ Newman. He has directed orchestras for “Summer Stock Theater” in the Philadelphia area., and is a sought-after solo artist for unique programs with symphony orchestras and various bands, including the Augusta Symphony and with the fusion band “John Doe.”
As the “vision driver” for the Jazz ensemble The Garden City Allstars, Chris became the band’s leader and introduced the first SouthEastern USA community big band jazz ensemble. After working as pianist for the Augusta Jazz Project Big Band, Chris now currently plays with the Channellheimer Oompah Band, with his own group at Augusta’s Historic Partridge Inn, the Augusta Big Band Aggregate (ABBA) and the Rob Foster Jazz Quartet.
He studied at Augusta College and The Philadelphia Music Academy resulting in a degree in performance and composition from the latter in 1971. Chris is the Network Administrator for Augusta Technical College.
keyboards, composer, conductor
Larry began playing the piano as a child growing up in New York. He quickly progressed as a young pianist, winning numerous young artist competitions and awards, studying with William Hargrove and Herbert Rogers of the Juilliard School. Larry completed a bachelor’s degree in piano performance at Indiana University, studying with Alberto Reyes and John Keeton, and later finishing a Master’s degree in Music in New York.
While in New York, Larry was the artistic director and conductor of the Bach Festival Choir and Orchestra, performing throughout the New York area to considerable acclaim. Larry developed a strong reputation while in New York as a vocal coach, accompanist, chamber music performer, teacher, and conductor.
Later, he pursued a career in medicine, bringing him to Augusta, where he is now working as an endocrinologist. He has appeared with the Augusta Symphony numerous times since his return to Augusta, performing as a pianist with the orchestra, as a soloist with the chamber orchestra, in concert with the chamber players, as soloist on the Appleby series concerts and Westobou festival, and is a regular performer in the area. His compositions have been performed by the Augusta Choral Society and St John Choir.
Patchen began work writing and arranging popular music while at Eastman and received a job offer as house arranger at Studio South in Augusta. He worked on a wide variety of music projects and styles while there. In 1991 he began work scoring original video for large corporate clients through Edge Media in Aiken, South Carolina. His work has won regional and national awards. Throughout his composition and production work, he has maintained his performance skills in jazz, pop, and classical music and is heard in the Augusta area on a regular basis. He currently teaches at Portman’s Music Academy.
Though fluent in many modern styles, Patchen is most at home providing tuneful, well-known music from the classical era through the first half of the twentieth century – Gershwin, Arlen, Kern, Mercer, Carmichael, Cole Porter – in short, the golden age of American song – to provide a sophisticated atmosphere. Click here for more information.
Links to samples of his music and performances can be found at the following sites:
guitar, keyboards, conductor
Michael currently serves as choral music director at both the upper- and middle-divisions of Augusta Preparatory Day School, where he has been musical director for the following productions: Footloose, Fiddler on the Roof, Batboy, Chorus Line, Dirty Rotten Scoundrels, and Grease. In addition, he has coached many state winners in vocal solo, trio, and quartet competitions, as well as in piano.
Aside from his work at Augusta Prep, Michael is also director of the Jessye Norman School of the Arts, a nonprofit, after-school arts program for economically challenged youth in Augusta.
As a performer in his own right, Michael plays keys and guitar and provides back-up vocals for two area bands, “My Instant Lunch” and “Eleventhe Hour.” “My Instant Lunch,” has received numerous accolades, including: Augusta Magazine’s Best Rock Band of 2010. They also won the Band-Aide Competition in 2010, and were named Best New Band of 2009 by Lokal Loudness. “My Instant Lunch” had the unique honor of performing a joint program with the Augusta Ballet, and most recently, performed for an Atlanta Braves game at Turner Field.
As an accompanist and solo pianist, Michael accompanied Nicole Sponberg, former lead singer for SELAH, opened for “The Charlie Daniels Band,” and regularly plays for the Augusta Comedy Troupe, “Schoedinger’s Cat.”
Michael holds a bachelor of music degree from Ohio University and is currently enrolled in a master’s program at Augusta State University in choral conducting.
keyboards, conductor, composer
Paul’s primary area of musical endeavor is church music. After singing in professional choirs at Emmanuel Church in Boston and St. Thomas Chapel in New York, he held the positions of Organist and Choirmaster at the First Alliance Church in New York and the First Presbyterian Church in Augusta, Georgia, where currently he is Music Director and Organist.
His experience includes virtually all aspects of church music: choral and orchestral conducting, organ and piano performance, and composing and arranging a sizeable body of works for choir, organ, and various instrumental ensembles. Paul is also active in concert music. In addition to organizing and directing chamber choir/orchestra performances in Boston, New York, and Augusta, he has participated as director and performer in various instrumental and choral ensembles, including directing a Christmas performance of the Augusta Symphony.
Another interest of Paul’s is theater music. He has directed, performed, and arranged music for community and school theatrical productions in Boston and Augusta. Finally, Paul has a vital interest in folk music. He maintains an affectionate interest in American jazz and bluegrass music, Middle-Eastern dance music, and traditional Celtic music of the U.K., writing arrangements and performing on several traditional folk instruments.
Paul has published works in several genres. His Three Carols for Trumpets and Organ is published by GIA Publications. His work for choir and solo flute, The Word Became Flesh, is published by Augsburg Fortress Publications. His Greek and Jew for unaccompanied flute is published by Flute World, Inc. Many other of his works are published privately through Paul’s website, Fresh Music All-Star Bands.
Paul was born in Richmond, Virginia and began private piano instruction at the age of 7. He continued musical studies in theory and ear training during high school years at the Cleveland Institute of Music, private study in organ and cello in Boston, bachelor’s and master’s degrees in composition and conducting at Boston University and the Manhattan School of Music, respectively, and additional conducting study at the Juilliard School. He won composition and arranging contests at both Boston and Harvard Universities during the same year. Paul studied composition with Nicholas Flagello and Vittorio Giannini. His conducting teachers included Hugh Ross and Jean Morel.